New Digital Cinema: Reinventing the Moving Image, published by Wallflower Press in 2005, tracks the evolution of contemporary cinema as it intersects with the formerly separate realms of filmmaking, video art, music video, animation, print design and live club events to create an avant-garde for the new millennium. Beginning with the premise that we are witnessing the most extensive reworking of the role of images since the inauguration of cinema, thanks in no small part to the advent of desktop filmmaking tools, the book opens with an investigation of digital cinema and its contribution to innovations in the feature film format, examining animation/live action hybrids, the gritty aesthetic of the Dogme 95 filmmakers, the explosions of frames within frames, and the evolution of the ambient narrative film. The book then moves on to examine the creation of new genres and moving image experiences as what we know as cinema expands beyond the confines of the movie theater and television screen into new venues and formats.
The New Ecology of Things project, an experiment in transmedia publishing, was created in collaboration with faculty from Art Center College of Design. I worked primarily on editing the text, and helped brainstorm ideas for the project’s manifestation across other media platforms. The project in its current form unites four media components book, dust jacket / poster, Web site, and wap each of which relates to the others: place the book on the poster to see additional imagery; point your mobile phone camera at barcodes on the poster and watch videos; browse URLs in the book and move to a dialogue online… The NET publication includes several essays, a glossary, forums, interactive works and videos, with writing by Bruce Sterling, Brenda Laurel, Phil van Allen, Anne Burdick and Nik Hafermaas.