I’ve been working lately to capture the ways in which we might reimagine our relationship to the world and its varied landscapes, not as independent beings moving through separate realms, but as transcorporeal forces enmeshed in dense relationships with the matter all around us. If we imagine the world not as some inert backdrop to human activity but as a dynamic array that we engage within in ongoing relationality, might we care for our world differently? These images attempt to capture this sense of active matter, of sensation, and dynamism, and strives for what Anna Tsing, in The Mushroom at the End of the World, calls the “arts of noticing.”