Selected Writing

“Sense and the City: Liam Young’s Speculative Cinema,” Mediapolis, June 7, 2017.

“Stumbling Through Pixel Blizzards: Recent Books on Post-Cinema,” Los Angeles Review of Books, August 13, 2017.

“The Disorder of Things,” carte blanche.

Big (Beautiful) Data: The Media Architecture of Refik Anadol,” KCET, July 2016.

“Touch Me: Tiffany Trenda’s Wearable Technology,” KCET, August 3, 2016.

Review, Listening, Thinking, Being: Toward an Ethics of Attunement, by Lisbeth Lipari, in Present Tense: A Journal of Rhetoric in Society.

The Red Book, National Film Registry website, June 2015.

Rose Hobart, National Film Registry website, May 2015.

Review, The Lumiere Galaxy: Seven Key Words for the Cinema to Come, by Francesco Casetti, in Film Comment, Spring 2015.

“You Are Being Generated: The Work of Animator David O’Reilly,” December 10, 2014, KCET’s Artbound.

“Interactive Experiences: John Carpenter’s Haptic Media Systems,” October 23, 2014, KCET’s Artbound.

“Stas Orlovski’s Moving Paintings,” October 14, 2014, KCET’s Artbound.

“Experimental Narratives: Janie Geiser’s Evocative Puppetry,” September 24, 2014, KCET’s Artbound.

“The Pleasures of the Text,” on filmmaker David Gatten, Film Comment, March 2013.

Extra Curricular Column, for Filmmaker Magazine
“Paradigms of Change: The Black Feminist Film School,” Winter 2017.
“Embodied Teaching,” Fall 2016.
“Building Better Entertainment: SCI-Arc’s MA in Fiction and Entertainment,” Spring 2016.
“Teaching Immersion and Stereoscopy,” Spring 2015.
“Computational Storytelling,” Winter 2014.
“Film Studies for the 21st Century,” Fall 2014.
“Maine Course,” Summer 2014.
“Medium Matters,” Spring 2104.”UT3D,” Winter 2013.
“Primal Direction,” Fall 2013.